EKLAVYA AND THE OSCARS

It's the world's biggest and most vibrant set of film industries. The sheer numbers make it hard to believe that Eklavya is the most accomplished film around in India for a shot at the Oscars.

Vidhu Vinod Chopra's film does start promisingly, but in the end leaves you dissatisfied, trying to imagine what it could have been. Incompletely-etched characters and a profusion of style over substance. Hardly Oscar contender material, forget about the prize itself.

The selection procedure is organised by the Film Federation of India, an anonymous organisation otherwise. And their jury this time comprises of Sudhir Mishra (director), Jalees Sherwani (writer), Nadeen Khan (cameraman), Anil Sharma (director), Bijoy Kalyani (producer), Ravi Kottakara (producer), Ravi Sharma (music director), Shahid Amir (costume designer), Ranjit Bahadur (film editor), Jagdish Sharma (producer, director) and Vinod Pande (film-maker).

The need to attach designations give the story away. For many of them that's the only way you get a fix on who they are in the first place. There is a Sudhir Mishra and and Anil Sharma but where's a familiar name from the many regional film industries?

Take a look at the films in contention. Guru, Chak De India, Gandhi My Father and Dharm. It's just a handful of films and all from Bollywood. Difficult to believe that not even a single regional film made the cut. An Arabikatha or an Ore Kadal in Malayalam or a Mozhi in Tamil weren't good enough to even make it to the list of contenders?

Even if it's just a Bollywood race, Guru or Gandhi My Father deserved a look, definitely not Eklavya.

And we haven't even discussed Dadasaheb Phalke Award winner and auteur Adoor Gopalakrishnan's latest offering Naalu Pennungal (Four Women), which was screened at the Toronto Film Festival earlier this month.

Mainstream Bollywood has dominated the race for the Oscar nomination, especially after Lagaan made it to the final shortlist in 2001. The very next year we showcased the garish Devdas and now the toothless Eklavya. Forget regional cinema, even the best of Bollywood gets sidelined. It's small consolation that in the pre-Lagaan days, an atrocious potboiler like Jeans (1998) was sent as the official entry.

An Oscar nonination is something Vidhu Vinod Chopra is familiar with. His 1978 short film 'An Encounter with Faces' was nominated for the Documentary Short Subject category. And in 1989, Parinda was the official Indian entry. But those efforts had spunk. Will he ever direct a Khamosh again instead of the likes of 1942-A Love Story and Eklavya?