JOHNNY G AND THE 1970s

As the credits roll, Eastman Colour is plastered all over the screen. You are reminded of an era where running trains formed the perfect backdrop for murder, an era when Vijay Anand sizzled with his intricate whodunit plots, double crosses and elegant song picturisations (Teesri Manzil, Jewel Thief and Johnny Mera Naam).

Johnny Gaddar deals with a bunch of crooks planning a huge joint venture and the lure of the lucre, inspiring the double cross. One murder leads to another, as the players are bumped off one by one through a combination of design and accident. It is not a whodunit for the viewer though, as the identity of the gaddar is clear at the outset. But at the same time, the viewer is encouraged to think, as the gang tries to unravel the mystery behind the killing of the imposingly strong Shiva during a train journey.

Director Sriram Raghavan uses film channels on TV to further his plot....as they relentlessly show 1970s flicks like Johnny Mera Naam and one less-known Amitabh Bachchan film of the early 1970s before he became a superstar (This film used to be the one answer to an Amitabh trivia quiz question before the days of Aankhen and Ram Gopal Varma ki Aag)

Wonderful first half though gang leader Seshadri (Dharmendra) didn't sound too comfortable mouthing English punchline after punchline. But Garam Dharm at 70-plus effortlessly oozes charm. As he says, "it's not the age, it's the mileage."

The second half though was a bit of a stretch and could have been tighter. And a self-indulgent director/writer leaves some loose ends.

Great performances from the gang members, Vikram (debutant Neil Mukesh) , Prakash (Vinay Pathak) and especially Zakir Hussain (Shardul).

Fittingly, the film is dedicated to Vijay Anand and James Hadley Chase, a regular companion of many a long-distance train journey (including Johnny Gaddar).

Rediff has Sriram Raghavan's own list of inspirational films. A Who's who of capers.